1,531 Royalty-Free Audio Tracks for "E Chords"

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Diminished triad on C , as MIDI.

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

Diminished triad on B, as MIDI

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

Alternate augmented ninth chord on C.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

German sixth with 6/4 resolution, generated on Sibelius.

Tritonic scale on E.

Nocturne no. 2 in e-flat major, op. 62

Ascending and descending scale played in E flat major

D♭7♯11 chord = G7alt chord.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Dominant thirteenth chord in four-part writing.

Dominant thirteenth: four-voice version.

Just minor seventh chord (48:40:32:27) on C.

Just minor seventh chord on C.

Major triad on C. Created using Sibelius.

Neapolitan sixth in C minor.

Thirteenth chord CMA13(sharp11).

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Generating chord for Michael Torke's Vanada (1984).

Dominant seventh in C in first inversion

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.

Secondary chords in Maria Wolowska Szymanowska's Nocturne in B-flat Major, mm.1-5.

Farben chord.

J.S. Bach 'Bourree in E minor' (BWV 996)

Note: This is only the Prelude in E-flat minor. This recording does not include the corresponding fugue, which is (oddly) in D-sharp minor. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 15 Prelude No. 8 in E-flat minor, BWV 853

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 15 Prelude No. 8 in E-flat minor, BWV 853

Augmented triad on C, As MIDI

Quarter-comma meantone major chord on C.

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Nocturne No. 2 in E-flat Major, Op. 9

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

C triad open position.

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

En I-ii7-V7-I-progression, sedan med V7 tritonussubstituerad

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.